Beckmann

3 December 2025 to 15 March 2026
Exhibition Hall of the Department of Prints and Drawings
Press preview: Tuesday, 2 December 2025, 11 am

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Press text

PRESS RELEASE

BECKMANN
3 December 2025 to 15 March 2026
Exhibition Hall of the Department of Prints and Drawings
Press Preview: Tuesday, 2 December 2025, 11.00 am

Max Beckmann created his work in a world marked by crises and upheavals, transforming his experiences of this into a visual language that remains fascinating to this day. The most intimate part of his oeuvre are his drawings: like a diary, they document his artistic development, serving as a medium for observation and for creating imagery. The Städel Museum is now putting these works centre stage and presenting some eighty pieces from all phases of his career—from little-known drawings to outstanding major works. They offer a direct and intense insight into the life and work of Max Beckmann (1884–1950), one of the most important artists of the modern era.

The Städel Museum holds one of the most outstanding Beckmann collections in the world and has been dedicated to collecting, researching and communicating his work for more than a century. In 2021, the museum received a remarkable addition to its holdings in the form of important permanent loans from the collection of Karin and Rüdiger Volhard. This, together with the publication of the three-volume catalogue raisonné of Max Beckmann’s black-and-white drawings by Hirmer Verlag—with which Hedda Finke and Stephan von Wiese have closed one of the last major gaps in research on Beckmann’s drawings—is the occasion for this retrospective exhibition.

The exhibition is based on drawings from the Städel Museum’s own collection, complemented by loans from renowned international museums and private collections, including The Museum of Modern Art in New York, the British Museum in London, the Art Institute of Chicago, the Kunstmuseum Basel, the Hamburger Kunsthalle, the Kupferstichkabinett – Staatliche Museen zu Berlin and the Museum der bildenden Künste Leipzig. Selected paintings and prints also provide insights into Beckmann’s working process and the interplay of different media.

Philipp Demandt, Director of the Städel Museum, on the exhibition: “Max Beckmann, the Städel Museum and the city of Frankfurt am Main have been closely linked for over a century. Despite the loss of almost all of the artist’s works in its holdings during the Nazi era, the museum now boasts a Beckmann collection of international standing. With the current exhibition, we are focusing specifically on Beckmann’s drawings for the first time in over forty years. They open up a fascinating cosmos of his work and make his artistic development immediately tangible—not least thanks to the outstanding collaboration with Hedda Finke and Stephan von Wiese, the editors of the three-volume catalogue raisonné of his drawings.”

The curators Regina Freyberger, Head of Prints and Drawings after 1800 at the Städel Museum, Hedda Finke and Stephan von Wiese, authors of the three-volume catalogue raisonné of Beckmann’s drawings, add: “The drawings are a key to Beckmann’s work. Through drawing, he developed his unmistakable visual language, captured what he saw and experienced, shaped his personal worldview and transformed fleeting impressions into multi-layered, meaningful compositions. In the course of his life, he produced more than 1,900 black-and-white drawings in pen, chalk or pencil, not bound in sketchbooks—ranging from quick sketches to autonomous images. The exhibition presents a concentrated and representative selection of these works, which—supplemented by individual colour works, prints and paintings—allow visitors to experience the intensity of Max Beckmann’s drawing.”

Curators: Hedda Finke and Stephan von Wiese (catalogue raisonné of Max Beckmann’s drawings), Regina Freyberger (Head of Prints and Drawings after 1800, Städel Museum)

Sponsored by: Adolf Würth GmbH & Co. KG, Dagmar-Westberg-Stiftung, Städelscher Museums-Verein e. V.
With additional support from: Franz Dieter und Michaela Kaldewei Kulturstiftung, Dr. Ina Petzschke-Lauermann

Media Partners: Frankfurter Rundschau, arte
Cultural Partner: hr2-kultur

You can find the full press release here as a PDF.


Press images

Max Beckmann (1884–1950)
Self-Portrait, 1912
Pencil 235 × 207 mm
Germanisches Nationalmuseum, Nuremberg. Hans Kinkel Collection
Photo: Monika Runge

Max Beckmann, Self-Portrait, 1912

Max Beckmann (1884–1950)
Evening Street Scene, 1913 (?)
Pen in black and black pastel chalk, washed
252 × 177 mm
Germanisches Nationalmuseum, Nuremberg. Hans Kinkel Collection
Photo: Monika Runge

Max Beckmann, Evening Street Scene, 1913 (?)

Max Beckmann (1884–1950)
Prof. Ferdinand Sauerbruch, 1915
Pencil
230 × 140 mm
Private collection, Bonn

Max Beckmann, Prof. Ferdinand Sauerbruch, 1915

Max Beckmann (1884–1950)
Wounded Soldier with Bandaged Head, 1915
Pencil
151 × 120 mm
Museum der bildenden Künste Leipzig, Mathilde Q. Beckmann Bequest

Max Beckmann, Wounded Soldier with Bandaged Head, 1915

Max Beckmann (1884–1950)
Self-Portrait While Drawing, 1915
Pen in black
314 × 241 mm
Staatsgalerie Stuttgart, Department of Prints, Drawings and Photographs, gift, 1968

Max Beckmann, Self-Portrait While Drawing, 1915

Max Beckmann (1884–1950)
Rimini, 1927
Black chalk and pastel
500 × 648 mm
Private collection

Max Beckmann, Rimini, 1927

Max Beckmann (1884–1950)
Flooded City, ca. 1928 (?)
Chalk in black, over pencil
581 × 468 mm
Museum der bildenden Künste Leipzig, Mathilde Q. Beckmann Bequest
Photo Scan: Museum der bildenden Künste Leipzig

Max Beckmann, Flooded City, ca. 1928 (?)

Max Beckmann (1884–1950)
Quappi with Candle, 1928
Black chalk and white gouache
628 x 488 mm
Kunstmuseum Basel, Kupferstichkabinett
Photo: Kunstmuseum Basel

Max Beckmann, Quappi with Candle, 1928

Max Beckmann (1884–1950)
The Murder, 1933
Watercolour and brush in black over black chalk
498 × 455 mm
Städel Museum, Frankfurt am Main, on permanent loan from the Karin & Rüdiger Volhard Collection
Photo: Städel Museum, Frankfurt am Main

Max Beckmann, The Murder, 1933

Max Beckmann (1884–1950)
Faust II, sheet 4
Faust: Our life’s a spectrumsheen of borrowed glory, 1943
Pen in black over pencil
24,6 × 17,4 cm
Federal Republic of Germany and Museum Wiesbaden
On permanent loan to Freies Deutsches Hochstift/ Frankfurter Goethe-Museum

Max Beckmann, Faust II, sheet 4, Faust: Our life’s a spectrumsheen of borrowed glory, 1943

Max Beckmann (1884–1950)
Tram Stop, 1945
Pen and black ink over pencil on machine-made wove paper
325 × 355 mm
Collection Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Museum Boijmans Van Beuningen. Purchased with the support of Stichting Bevordering van Volkskracht
Photo: Tom Haartsen

Max Beckmann, Tram Stop, 1945

Max Beckmann (1884–1950)
Champagne Fantasy (Magnifying Glass), 1945
Pen in black, washed in grey, over pencil
502 × 260 mm
Caroline und Stephen Adler

Max Beckmann, Champagne Fantasy (Magnifying Glass), 1945

Max Beckmann (1884–1950)
Rodeo, 1949
Pen and black ink over pencil on machine-made wove paper
603 × 435 mm
Caroline und Stephen Adler
Photo: Max Yawney

Max Beckmann, Rodeo, 1949

Max Beckmann (1884–1950)
Self-portrait with Fish, 1949
Brush in ink over charcoal on drawing cardboard
580 × 452 mm
Hamburger Kunsthalle, Kupferstichkabinett, Photo: © Hamburger Kunsthalle / bpk © VG Bild-Kunst, Bonn
Photo: Christoph Irrgang

Max Beckmann, Self-portrait with Fish, 1949

Max Beckmann (1884–1950)
Portrait of Georg Swarzenski, 1950
Charcoal, partially rubbed and erased
590 × 450 mm
Städel Museum, Frankfurt am Main
Acquired in 1985 as a gift from Hermann Josef

Max Beckmann, Portrait of Georg Swarzenski, 1950
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Contact

Franziska von Plocki

Head of Press and Online Communication
plocki@staedelmuseum.de
+49(0)69-605098-268

Carolin Fuhr

Referentin Presse und Onlinekommunikation
fuhr@staedelmuseum.de
+49(0)69-605098-234

Elisabeth Pallentin

Referentin Presse und Onlinekommunikation
pallentin@staedelmuseum.de
+49(0)69-605098-195

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