Digitorial® for Rembrandt exhibition goes live online

IN ASSOCIATION WITH THE NATIONAL GALLERY OF CANADA, THE STÄDEL MUSEUM RELEASES DIGITORIAL® FOR FORTHCOMING SHOW "REMBRANDT IN AMSTERDAM: CREATIVITY AND COMPETITION"

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Press text

With the start of the major Rembrandt exhibition at the National Gallery of Canada the Digitorial® developed by the Städel Museum especially for the show is now going live. As of today, anyone can check out the multimedia preparation course at: rembrandt.staedelmuseum.de. The Digitorial® provides background information on topics featured in the exhibition. The touring exhibit is first going on view from May 14 at the National Gallery of Canada in Ottawa before travelling to the Städel Museum in Frankfurt, where it will open on 6 October under the title “Nennt mich Rembrandt! Durchbruch in Amsterdam”.

Download the complete press release here.


Press images

Digitorial® for Rembrandt exhibition goes live online
Photo: Städel Museum

Digitorial® for Rembrandt exhibition goes live online

Digitorial® for Rembrandt exhibition goes live online
Photo: Städel Museum

Digitorial® for Rembrandt exhibition goes live online

Digitorial® for Rembrandt exhibition goes live online
Photo: Städel Museum

Digitorial® for Rembrandt exhibition goes live online

Digitorial® for Rembrandt exhibition goes live online
Photo: Städel Museum

Digitorial® for Rembrandt exhibition goes live online

Rembrandt Harmensz van Rijn (1606–1669)
Self-Portrait with Velvet Beret, 1634
Oak wood, 58,4 × 47,7 cm
Staatliche Museen zu Berlin, Gemäldegalerie
Photo: Staatliche Museen zu Berlin, Gemäldegalerie - Christoph Schmidt

Rembrandt Harmensz van Rijn, Self-Portrait with Velvet Beret, 1634

Rembrandt Harmensz. van Rijn (1606–1669)
Tronie of a Man with a Feathered Beret, c. 1635–40
oil on panel, 62.5 × 47 cm
Mauritshuis, The Hague
Photo: Mauritshuis, The Hague

Rembrandt Harmensz. van Rijn, Tronie of a Man with a Feathered Beret, c. 1635–40

Ferdinand Bol (1616–1680)
Self-portrait, c. 1647
oil on canvas, 97.5 × 77.5 cm,
Michele and Donald D’Amour Museum of Fine Arts, Springfield, The James Philip Gray Collection,
Photo: David Stansbury - The James Phillip Gray Collection

Ferdinand Bol, Self-portrait, c. 1647

Rembrandt Harmensz. van Rijn (1606–1669)
Landscape with a Stone Bridge, c. 1638
oil on panel, 29.5 × 42.5 cm
Rijksmuseum, Amsterdam, Purchased with the support of the Rembrandt Association and A. Bredius, Amsterdam
Photo: Rijksmuseum, Amsterdam

Rembrandt Harmensz. van Rijn, Landscape with a Stone Bridge, c. 1638

Rembrandt Harmensz. van Rijn (1606–1669)
Judith at the Banquet of Holofernes, 1634
Oil on canvas, 143 × 154,7 cm
Museo Nacional del Prado, Madrid
Photo: Museo Nacional del Prado, Madrid

Rembrandt Harmensz. van Rijn, Judith at the Banquet of Holofernes, 1634

Rembrandt Harmensz. van Rijn (1606–1669)
The Blinding of Samson, 1636
Oil on canvas, 206 × 276 cm
Städel Museum, Frankfurt am Main
Photo: Städel Museum - U. Edelmann

Rembrandt Harmensz. van Rijn, The Blinding of Samson, 1636
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Contact

Pamela Rohde

Head of Press and Online Communication
rohde@staedelmuseum.de
+49(0)69-605098-170

Jannikhe Möller

Deputy Head of Press
and Moving Images
moeller@staedelmuseum.de
+49(0)69-605098-195

Susanne Hafner

Press and Online Communication
hafner@staedelmuseum.de
+49(0)69-605098-212

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